Miami Restauranteur, Ken Lyon

So you have New England roots....

I was born in western Massachussetts, summered on Cape Cod. I was fortunate enough that my parents had a little summer cottage, so we went every year. When I was high school age, we moved to the Cape full time and I went to school there, then moved to Boston. While I was on the Cape, as a kid, I started working in the restaurant business.

Is that what shaped you, your love of food, or was there cooking at home?

 
My mom was one of those, in the era of Julia. I specificially remember her doing dinner parties. There would be the Julia Child cookbook and the onion soup gratiner. She was a great cook, she entertained to some degree.
 
Were you the fly on the wall, so to speak, or in the mix?
 
I was the youngest kid at home. I was in the mix. I was definitely around her apron strings! It wasn't a career thing like it is today where you have the Foodnetwork. Today there are 8 year old kids who want to be chefs. It was never like that.
 
The consensus is that kids are going into cooking for the wrong reason.
 
Yes because of the fascination with all the tv and the interesting question is: Are any of the tv Foodnetwork shows teaching people how to cook? The answer's no. It's a reality show and (an)entertainment thing. 
 
Did it have any influence on you?
 
I remember watching it as a kid, in the 60s when Julia was first on TV. 
 
When Jacques Pepin was on....?
 
Way before. I'm talking about black and white TV, Julia was on PBS, when she was her classic French chef by herself, filmed in Cambridge, MA. It was a local show at that point.
When I got to be high school age, I would work at a part time job in a restaurant. It wasn't a career thing.
 
I was actually very involved in photography and went to college for photography in Boston at The Museum School. By the time the second semester came around, I wasn't really that involved and started cooking that summer (1976) at Lilies in Faneuill Hall Marketplace. It was one of the first restaurants there. I began literally wiping the grout off the tiles just after construction.
 
I started as a dishwasher and then a pantry chef (cold station). I worked my way up to butchering. When I was working next to the current pantry chef, he had gotten sick for a few weeks and I did his work. He never came back for some reason.
 
Did that fuel you to do formal training?
 
No, as a matter of fact it didn't. At the time I was slightly aware of professional cooking schools, Johnson & Wales was in Providence, they had one campus back then. Back then they were looked at like trade schools. They were not what they are today.
 
I was cooking part time weekends, afterschool, etc, in high school in a restaurant on the Cape. I went to Boston, 1976, and started cooking at Lily's, they were cutting edge at the the time. I've been in the business ever since, 35 years.
 
Anyone else in your family in the culinary field?
 
Funny enough, my dad, many years ago was in the restaurant business, early fast food, chicken concept, in and out really fast.
 
When I left Lily's I kept working in Boston and within two jobs I was a chef of a restaurant,  which is very unusual, because I was still very young. I had this great opportunity in a very small place, C'est Si Bon.
 
Was it classic French?
 
It was a French patissierie right near the Ritz Carlton. Two gentlemen took it over and renovated the upstairs into a beautiful dining room and the downstairs was like a cafe/patissierie. I was recommended to them and brought in to be the chef. What we did, which was unusual at the time, was a prix fixe menu and wrote a (new) menu everyday. At that time it was startingly different and expensive, but it worked. 

Where did you get your inspiration to create your menu from?
 
I worked at Chillingsworth for a summer which is a highly regarded restaurant in Brewster and at a couple of restaurants at Harvard Square.  There were a group of chefs who were starting to do things. There was a chef, Moncef Meddeb, who never got national recogonition, opened a restaurant called L'Espalier, way before Olive's ever opened, he was really hot. Robert Kincaid was really well known in the area, who is now in Washington, DC, never made the big time like TV chefs today, but a great chef. There was a little burgeoning thing happening there [Boston].
 
We look at 'big time' a little bit differently than being on TV. We consider big time that your restaurant if full, your doing a lot of covers every week, the food coming out of the kitchen is stellar and when we come to your restaurant, we have an experience as opposed to just dinner.
 
There are many of these, now, "celebrity chefs" who put their name on numerous properties and obviously at a certain point some have held on and some have not.
 
Our demographic are people interested in what chefs are cooking, not necessarily the TV personas.
 
Let me fast forward - I went from the Cape to Boston, Boston to New York, and then came down here [Miami]. I worked for Peter Glazier in New York. Peter bought a restaurant called Johnny's in the South Street Seaport, I had been working there as a chef for Bobby Shapiro. If you've read Kitchen Confidential, we sort of traveled, within a year or two, of the same places, both of us [Bourdain] worked for Bobby Shapiro. I had a chance to meet him and talked to him about some of these people.  He doesn't name him in the book, but he talks about the guy who drives the Rolls Royce. Peter took over the property and did Bridgewaters Fine Dining and Catering which is still at the Seaport. I left and moved down here.
 
That was the time when NYC was becoming the dining destination, with many chefs doing new and exciting things.
 
Yeah, I was there in the mid-80s to 90s. There was change going on, the old time French places were dropping out of vogue. You started getting more people downtown, not doing the traditional fine dining, but super quality in a more relaxed atmosphere.  Danny Meyer did that in a great way. It was prententious, you could go in a pair of jeans. From those (Gotham) and others you had a whole generation of new people. You had Daniel working at Le Cirque.
 
Jean-Georges was in Boston at that time.
 
Yes, then he came to New York. That's when I was there.
 
Then you come down to Florida where people want to each Macadamia Crusted Grouper! How did you deal with that?
 
You mentioned that dish twice (Smiling), the Floribbean, what we call the "Mango Chefs" which were popular here, Van Aiken and a couple of others. That's what was happening here. It's funny, I was in New York, had left a job, broken up with a girlfriend, had this ridiculously expensive apartment that I was having trouble keeping, and my brother was living in South Beach at the time.
 
He kept saying to me that South Beach is starting to happen. Come down, come down.  I had no interest. He sent me a round trip ticket. He knew I wasn't working and I was trying to figure out what my next move was going to be.
I took the ticket and came down on Labor Day Weekend and I moved down here two months later.
 
There's a pattern. You were in New York when their culinary scene started to pop, then you arrive in Miami, just as the culinary scene starts to develop its own personality.
 
I would say the big change in Miami at that time wasn't quite culinary yet, although there were a lot of restaurants about to open. The models(fashion), hotels, the Ocean Drive thing, the nightlife, was all starting to unfold. It's funny, I moved down with a buddy of mine and the nightlife thing the first year was hysterical. There were 5, 6 or 7 bars and they each had one night...(Laughing).
 
There were the same people at each place on a different night.....
 
....the same (Laughing) people, that's right. If you went out every night you saw the same group. They moved from place to place.
It was a time in South Beach when there were some Europeans, some New Yorkers, the model photography group and everyone knew each other.  
 
They became the nucleus of what South Beach was.
 
Yes.  I was the chef of a little hotel restaurant on Ocean Drive called the Colony.  I was only there a year when my brother and I decided to open a restaurant on Lincoln Road, Lyon Frere, just after hurricane Andrew. When I was looking for spaces to open, while talking to a real estate broker, I asked about Lincoln Road.  They told me don't go there, it's never, ever going to happen there. We looked all over but found this place on Lincoln Road and we fell in love with the space.
 
The cost per square foot impacted your decision as well, correct?
 
Of course, but it was also the sense that Lincoln Road should be the place! Ocean Drive was already a little overly touristy.
 
Lincoln Road had its day, then it kinda of went to seed and was stagnant.
 
We really felt this was where the next 'thing' would be, that was in 1992. The building we opened in was on the corner of Lincoln and Pennsylvania. It had horrible aluminum siding, it had been a TV, hifi, appliance shop owned by Crazy Eddie's father. It had been vacant for six (6) years, we could have bought the building.  Ah, don't even talk to me about that.  Anyway we rented the space and got the thing up and running. It was not a restaurant, it was a market-cafe. I wanted to do my version of Dean & DeLuca down here. I was enamoured with them. I knew Joel Dean and Giorgio DeLuca, I was a wholesale customer of theirs when I was living in Boston, of their olive oil and sun-dried tomatoes, when they were first bringing them into this country. I didn't want to be in the restaurant business down here, partly because the staffing was so difficult back then. There was no way you could get quality cooks, it was so transient.
 
People were using restaurants as a stepping stone to the next great thing. They weren't looking to develop any roots.
 
It was bad, it was rough on the beach. People were getting arrested and taken out of kitchens. I was a little bit scared about the restaurant business down here at that time. It was like Pioneer Days, the Wild West.
The market/cafe would allow us to open up in the morning for coffee, we had take out food, a charcuterie,  an espresso bar, prepared foods and sold things like produce and breads.
 
It worked and what happened was we started to put seating outside. The city came over and asked us what we were doing. We told them we figured people would take a coffee and a danish, or a little plate of food and sit outside. We weren't a restaurant and weren't licensed as one. We thought people would like to eat lunch outside. It was Lincoln Road, there were no cars, no traffic, it was a natural setting. We put out 4 tables which became 30.
 
Were you the first outdoor seating establishment on Lincoln Road?
 
Absolutely! Unequivocably. They came over and had to figure out how to start taxing Lincoln Road.
 
Now look at it.
 
I figure the amount of millions of dollars the city collects in rent from the restaurants is staggering.
 
We were one of the first operations on Lincoln Road, other than the Chinese takeout that had been there since the 50s or 60s and a Baskin Robbins which lasted quite awhile. There was also a Latin America cafeteria where the French bakery is now. There was no outdoor seating and I don't know why. You're in Miami, you'd think people would want to sit outside.
 
It was a natural thing for you to move catering business after that.
 
Yes, it really was like what the French call a catering shop. It served purposes as a restaurant and as the Bohemian Lincoln Road set started filtering in. You could come into Lyon Frere and buy the New York Times and get a coffee.
 
Before we opened I told people we were going to sell espresso and cappuccino. No where on the beach could you get anything other than Cuban coffee. For 60 cents you could get enough coffee to feed an entire construction crew. I told people we'd be selling Illy espresso for $1.50 and they laughed, telling me it would never sell, we were in the wrong place. Within a year, we were the second largest user of Illy in Florida, Disneyworld being the biggest. 
 
There were no Starbucks in Florida, or New York for that matter, at the time. We were early on that. Epicure, on Alton Road, at that time, was the place to get cheese. All they had at the time was Finlandia swiss, a cheddar, and a really bad brie, it was like drek. By the way, they have the best cheese departments in Miami right now.  We kind of lead them down that road. We were up the street, they paid attention and the next thing you know, I'm not saying they were worried about us....
 
You get somebody bringing in quality products they have to pay attention....you were the competition.
 
.....as soon as we started doing really well, we ran into an issue with the construction of Lincoln Road. Epicure was watching what we were doing and the next thing you know they bringing up their product line in a big way. They knew it was changing, understanding that Miami Beach wasn't a bunch of old retirees. You had Italians, French, New Yorkers and their taste level was beyond what was here at the time. We kind of were a catalyst for change. 
 

 

What happened was I had a very low lease. My brother, and parnter, passed away, and that was a big deal, obviously. We had just negotiated a new lease because they were going to start construction, we had been there a couple of years, and the building was purchased by a new owner Craig Robbins, we had a fairly short lease.  I didn't want to be there when the construction was finished and have to start over with a new lease.  I was a little early on that, and what happened was the rent went up, but the sales dropped because they did  this major rehab on the road.
 
Which made access to your business difficult.
 
Right. Physically getting in became impossible. What would have been a 9 month fix, ended up being over 3 years. We got squeezed, we went out. We sold the lease and were out. It was a great experience and introduced me to all of Miami Beach. 
 
Met some great people and the truth is that at that time on Miami Beach was special. There were people who thought that Lincoln Road was going to become something really good. It ended up going in a different direction, I think, a lot of people think. 
 
It's basically an outside mall.
 
It's a mall. It's become very middle America. The merchandising of it has become middle America.
 
There a good restaurants and places that sell speciality foods.
 
Yes, but it's become very mass market and gets busier and busier. If I'd held the lease or bought the hold building, that business would still be there. It has a huge amount of traffic right now.
 
How did you get here?
 
When I left Lyon Freres we were already in the catering business. We closed Lyon and started another catering business right away. I had a couple of important clients already. We rented a space west, about 15 minutes from here, almost immediately, we called it Lyon & Lyon. What happened before we got here, we opened a restaurant, in the Design District, called Fratelli Lyon, authentic Italian. There's an antipasto bar that is open, there is an espresso bar, all things
similar to Lyon Freres. Even though it is specifically Italian, it has a more attractive, in a dressed up way, similarity to our first endeavor, although this is a restaurant. It is waiter and menu driven.
 
You got back into the kitchen.
 
Yes, and brought in someone to work with me.
 
How long did you stay in the back of the house?
 
Not that long.
 
You seem very comfortable being the front of the house guy.
 
The truth is I really have a very strong cooking background. When I opened Lyon Freres, I was only in the kitchen. I was the major part of the food at Lyon Freres, but I was also learning how to run a business and it draws you out. So I set up the recipes and you get people making it and I started to think about sales, taxes, employment, you start to become a business owner. The catering company is more than just cooking. It is setting up an atmosphere in someone's home, setting up a whole party.
 
Private parties are very tough, nothing like cateringin a hall, people don't get it. I ran some for a while , very particular.
Right, it's a road show.  When I started doing the catering, Bruce Weber was one of the people that I was doing work for. I was doing photo shoot catering, which takes you many different locations. Opening Fratelli Lyon, with a partner, allowed me to get back into the area.
 
Wherever there's something new you either follow it, or it follows you.
 
My wife and I live on Miami Beach, and you look at what's happening there. You can't park, it's expensive, you get a lot of mediocre products on the beach and bad service. The Design District is becoming the place where the locals want to go, because it's not touristy or commercial. They dont have a 'we don't care who you are because you're never coming back' attitude.
 
Right. My friend Michael Schwartz opened there first with Michael's Genuine.  
 
How many seats are in your restaurant?
 
Two hundred.....
 
.....Good time to expand?
 
We expanded, the world fell apart (he laughs). We opened May 2008 and Sept/Oct the market drops. Now I can safely say that we, Fratelli and the District, are coming back. If we took half a step backwards, now we are taking a step forward.
 
You've worked with some impressive people and quality is very important to you. If our readers were eating out at 10 restaurants each month, they may have pared it back to 5. If the restaurant isn't providing that quality experience then they cut you.
 
We went through that experience and I'd say the worst of it was 2009. It was really April through November, we felt really bad.

My partner is in that restaurant, they have this incredible line of Italian furniture. It was all super contemporary Italian. They opened these showrooms. Their concept was to have this restaurant in the front. One of their showrooms is Driade and Italian firm. Their concept was to take all the design, tables, counters, lighting, silverware...and build a living showroom. In other words, everything that you are in contact with as a consumer: chair, table, china, glass, silver, etc., was part of the collection. Not that you are buying the seat you are sitting in, but you could buy those chairs if you wanted to from the showroom. 
 
But the food has to be up to the standard. You can't eat the decor.
 
We knew we had an interesting concept there. I came in the idea was that if they are very Italian, which they where, it has to be a super authentic Italian restaurant. Not meatballs, Parmesan and red checked tablecloths. This is urban, contemporary, not nouveau, but authentic Italian. I know a bit about Italian food. If you go to Italy and eat, what they talk about is very simple.  Every Italian will tell you it is simple, relies on quality ingredients, time tested, authentic regional recipes and love.  Don't over complicate it and make it something it's not. The portioning and the way they eat is very specific. They eat antipasti, primi, secondi; they eat in a certain order and order in a certain order. The menu looks a certain way. It is not a bowl of pasta.
 
In New York, when the French, we were talking earlier how the French began to start to become less of an influence, there was a preponderance of really good Italian restaurants called Northern Italian restaurants back them.  I remember them and was cooking in one of them, Johnny's. They were trying to be more authentic. Then there were a few that opened themed restaurants and put the bowl of pasta on the table and you couldn't eat that bowl if you tried.  If you go to Italy, they give you enough pasta to be a primi, you don't eat it for dinner, you have it then you have another course.
 
It's the first plate. Being in the Design District you had to raise the level..?
 
We wanted to be super urban. We weren't going to be a rustic place in terms of visual.
 
Your plating had to be avant garde.
 
All the plating that we were using were these incredible plates from Driade. We kept it simple, we didn't re-invent Italian food, but the atmosphere is super contemporary. We wanted it to be as if you went to Milan, like a restaurant across the street from the Giorgio Armani shop, up-to-date. We have kept the food authentic.
 
So let's get to The Cape Cod Room...
 
I'm in the restaurant business and the catering business. I get a call about this place, The Bath Club, old Miami icon from the 1920s. It was a restricted club that almost went out of business. They sold the property to a developer who developed a condo, but restored the club as part of the amenity package. The first few years they ran this themselves, with a private restaurant, open only to residents & members of the club. It failed and they stopped doing the food service. They brought people in to do the catering and minimizing what they had to do for the residents. They realized they needed to bring in a food service operator to do the whole thing. They spoke with several people and we ended up with it.
 
The truth is, in the big picture, as much as I love what I'm doing over here, the catering is what's going to drive this. The events are the bigger picture. The restaurant is small and limited on how many people you can serve. When I saw the space the people who own the place immediately said we'll do a Fratelli here. I said there was no way it would fit visually, aesthetically into this space. Then we talked about bringing back Lyon Freres, and I almost did that. The problem was I looked at the space and the history of The Bath Club, and I really wanted to do something American. I just felt being on the ocean and in an old American private club, I wanted to something American and retro because the room is retro. The room speaks to me as an older, grown-up, more comfortable dining salon. I thought American seafood restaurant.
 
Where did the idea for New England seafood restaurant?
 
As much as I love a lot of the local things here, Florida strawberries and fish, I still yearn for products from the north. I love halibut,
Nantucket Bay Scallops, oysters. There are no oysters in Florida and I'm not eating New Orleans oysters, I'm eating Island Creeks now. A lot of what I really like is northern. There is no substitution for it and before I was doing this I was buying, for the catering business, halibut or cod, because I like those fish.  I also found out that a lot of people based in south Florida are transplanted from New York or New Jersey.
 
Especially this coast of Florida.
 
From Palm Beach to Miami and many of them also went to school in Boston. 
 
Did you concept first and then look for your chef?
 
I had the concept first. I was looking at the fry shacks that were opening in New York, but wanted to modify that to fit with eating in a dining salon. I wanted to make the food a little more refined and dress it up. 
So here's how it worked with the chef. I put the word out that I'm looking for somebody.  My chef and friend for many years was a guy, Matthew, who worked for Daniel Bouloud. Even though he was working he would often fly down to help us out. When you work for a guy like Daniel there is a fellowship, a brotherhood of cooks. Anyway, he recommends this guy, who worked for BLT in New York and before that The Russian Tea Room, so I arrange to meet him. 
 
He has this fantastic classical training, he's a New York guy, he has a New York story.  When I met him and I knew where he worked in NY, I didn't care. This guy has to have good taste, a great technique and he has to have a great temperament in the kitchen. He might not know a thing about quahogs or Nantucket scallops or the concept I want, but the guy knows how to cook. I had the concept on paper and we started to go to town on it.  We worked together and came up with great things. It just came naturally.
 
Your concept, his menu?
 
Totally my concept, he'll tell you that, but he executes. Now, we just talk and I might say I want to try this or do that. I had an idea for chowder, every time I've had it in my life it has been thick and gloppy. You couldn't tell a potato from a clam. I told him my idea, we were going to deconstruct it. We're going to serve a fricassee of clams, potatoes, bacon, celery and leeks, put that on a shell and pour the cream and the clam broth over it, so it's not this thick white pasty stuff. People are loving it.
 
Real food lovers want to see their food and know where it comes from.
 
Everything in Fratelli is from Italy. Here we focus on where we source the fish, some of it directly. Maine lobster is used in all lobster dishes.
 
How would you classify the food you are serving here?
 
Updated traditional. We're doing things like: hand cooked cod with cream and potatoes and striped bass with brown butter and capers. Even though we are doing traditional things we also offer have items like Lobster Thermador, and old retro recipe we updated, it was on our February menu.  Retro dining updated.  We look to the flavors of New England food.
 
When you talk about comfort (food) one of the mistakes of the newest of the new, is that it (their menu) isn't comfortable. You don't really crave lobster.
 
This coast (East Coast Florida) will embrace what you are doing at The Bath Club.
 
We are focusing on the great quality of the ingredient.  We are purposely using this New England aesthetic trying to filter it through a contemporary palate and contemporary aesthetic, so it's a balancing act. The idea is that it is recognizable, it's comfortable, but the way we are handling it, is throw the technique, it is modern and correct.  When I say the word correct, finesse is involved.
 
Have you had anyone come here expecting lobster roll in a potato hot dog roll? 
 
We do make a lobster roll, as an appetizer, in a homemade buttered grilled brioche style roll. We dress the lobster as it is ordered. It is a lobster roll, but it has a salad and a few handmade potato chips. We have lobster in eight different dishes: Salad with corn, a stew, a pot pie, burger, mac n cheese, so we are using lobster in a lot of things. We do fried clams, no one is doing fried clams here.  It's something that people ask, 'Is it the really belly clam?' It's one of the best selling things we have on the menu.  It's basic food but we're doing a nice job with it.
 
We love the concept, that Jersey Shore experience: steamers, lobster rolls, fried clams.
 
Doing seafood is expensive, so we've been forced to go in an add things like chicken pot pie, to match the lobster, and a regular burger to match the lobster burger.  We want to be a neighborhood restaurant, not a special occasion restaurant. There is no visibility to the street, we only have valet parking. That's one of the draws of coming here.
 
It's that Meat Packing District appeal.
 
I want to be the anti-thesis of South Beach, which is geared for the very young. There are a lot of posers there, chic people, and people trying to be chic.  We're trying to be the anti-glam. It's not about who's in the dining room, although we've had people like that eat here. It's not about 'what's popular this minute,' I want people to be comfortable here.


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