Miami Restauranteur, Ken Lyon
So you have New England roots.... I was born in western Massachussetts, summered on Cape Cod. I was fortunate enough that my parents had a little summer cottage, so we went every year. When I was high school age, we moved to the Cape full time and I went to school there, then moved to Boston. While I was on the Cape, as a kid, I started working in the restaurant business. Is that what shaped you, your love of food, or was there cooking at home?
| What happened was I had a very low lease. My brother, and parnter, passed away, and that was a big deal, obviously. We had just negotiated a new lease because they were going to start construction, we had been there a couple of years, and the building was purchased by a new owner Craig Robbins, we had a fairly short lease. I didn't want to be there when the construction was finished and have to start over with a new lease. I was a little early on that, and what happened was the rent went up, but the sales dropped because they did this major rehab on the road. Which made access to your business difficult. Right. Physically getting in became impossible. What would have been a 9 month fix, ended up being over 3 years. We got squeezed, we went out. We sold the lease and were out. It was a great experience and introduced me to all of Miami Beach. Met some great people and the truth is that at that time on Miami Beach was special. There were people who thought that Lincoln Road was going to become something really good. It ended up going in a different direction, I think, a lot of people think. It's basically an outside mall. It's a mall. It's become very middle America. The merchandising of it has become middle America. There a good restaurants and places that sell speciality foods. Yes, but it's become very mass market and gets busier and busier. If I'd held the lease or bought the hold building, that business would still be there. It has a huge amount of traffic right now. How did you get here? When I left Lyon Freres we were already in the catering business. We closed Lyon and started another catering business right away. I had a couple of important clients already. We rented a space west, about 15 minutes from here, almost immediately, we called it Lyon & Lyon. What happened before we got here, we opened a restaurant, in the Design District, called Fratelli Lyon, authentic Italian. There's an antipasto bar that is open, there is an espresso bar, all things similar to Lyon Freres. Even though it is specifically Italian, it has a more attractive, in a dressed up way, similarity to our first endeavor, although this is a restaurant. It is waiter and menu driven. ![]() You got back into the kitchen. Yes, and brought in someone to work with me. How long did you stay in the back of the house? Not that long. You seem very comfortable being the front of the house guy. The truth is I really have a very strong cooking background. When I opened Lyon Freres, I was only in the kitchen. I was the major part of the food at Lyon Freres, but I was also learning how to run a business and it draws you out. So I set up the recipes and you get people making it and I started to think about sales, taxes, employment, you start to become a business owner. The catering company is more than just cooking. It is setting up an atmosphere in someone's home, setting up a whole party. Private parties are very tough, nothing like cateringin a hall, people don't get it. I ran some for a while , very particular. Right, it's a road show. When I started doing the catering, Bruce Weber was one of the people that I was doing work for. I was doing photo shoot catering, which takes you many different locations. Opening Fratelli Lyon, with a partner, allowed me to get back into the area. Wherever there's something new you either follow it, or it follows you. My wife and I live on Miami Beach, and you look at what's happening there. You can't park, it's expensive, you get a lot of mediocre products on the beach and bad service. The Design District is becoming the place where the locals want to go, because it's not touristy or commercial. They dont have a 'we don't care who you are because you're never coming back' attitude. Right. My friend Michael Schwartz opened there first with Michael's Genuine. How many seats are in your restaurant? Two hundred..... .....Good time to expand? We expanded, the world fell apart (he laughs). We opened May 2008 and Sept/Oct the market drops. Now I can safely say that we, Fratelli and the District, are coming back. If we took half a step backwards, now we are taking a step forward. You've worked with some impressive people and quality is very important to you. If our readers were eating out at 10 restaurants each month, they may have pared it back to 5. If the restaurant isn't providing that quality experience then they cut you. We went through that experience and I'd say the worst of it was 2009. It was really April through November, we felt really bad.
My partner is in that restaurant, they have this incredible line of Italian furniture. It was all super contemporary Italian. They opened these showrooms. Their concept was to have this restaurant in the front. One of their showrooms is Driade and Italian firm. Their concept was to take all the design, tables, counters, lighting, silverware...and build a living showroom. In other words, everything that you are in contact with as a consumer: chair, table, china, glass, silver, etc., was part of the collection. Not that you are buying the seat you are sitting in, but you could buy those chairs if you wanted to from the showroom. But the food has to be up to the standard. You can't eat the decor. We knew we had an interesting concept there. I came in the idea was that if they are very Italian, which they where, it has to be a super authentic Italian restaurant. Not meatballs, Parmesan and red checked tablecloths. This is urban, contemporary, not nouveau, but authentic Italian. I know a bit about Italian food. If you go to Italy and eat, what they talk about is very simple. Every Italian will tell you it is simple, relies on quality ingredients, time tested, authentic regional recipes and love. Don't over complicate it and make it something it's not. The portioning and the way they eat is very specific. They eat antipasti, primi, secondi; they eat in a certain order and order in a certain order. The menu looks a certain way. It is not a bowl of pasta.In New York, when the French, we were talking earlier how the French began to start to become less of an influence, there was a preponderance of really good Italian restaurants called Northern Italian restaurants back them. I remember them and was cooking in one of them, Johnny's. They were trying to be more authentic. Then there were a few that opened themed restaurants and put the bowl of pasta on the table and you couldn't eat that bowl if you tried. If you go to Italy, they give you enough pasta to be a primi, you don't eat it for dinner, you have it then you have another course. It's the first plate. Being in the Design District you had to raise the level..? We wanted to be super urban. We weren't going to be a rustic place in terms of visual. Your plating had to be avant garde. All the plating that we were using were these incredible plates from Driade. We kept it simple, we didn't re-invent Italian food, but the atmosphere is super contemporary. We wanted it to be as if you went to Milan, like a restaurant across the street from the Giorgio Armani shop, up-to-date. We have kept the food authentic. So let's get to The Cape Cod Room... I'm in the restaurant business and the catering business. I get a call about this place, The Bath Club, old Miami icon from the 1920s. It was a restricted club that almost went out of business. They sold the property to a developer who developed a condo, but restored the club as part of the amenity package. The first few years they ran this themselves, with a private restaurant, open only to residents & members of the club. It failed and they stopped doing the food service. They brought people in to do the catering and minimizing what they had to do for the residents. They realized they needed to bring in a food service operator to do the whole thing. They spoke with several people and we ended up with it. The truth is, in the big picture, as much as I love what I'm doing over here, the catering is what's going to drive this. The events are the bigger picture. The restaurant is small and limited on how many people you can serve. When I saw the space the people who own the place immediately said we'll do a Fratelli here. I said there was no way it would fit visually, aesthetically into this space. Then we talked about bringing back Lyon Freres, and I almost did that. The problem was I looked at the space and the history of The Bath Club, and I really wanted to do something American. I just felt being on the ocean and in an old American private club, I wanted to something American and retro because the room is retro. The room speaks to me as an older, grown-up, more comfortable dining salon. I thought American seafood restaurant. ![]() Where did the idea for New England seafood restaurant? As much as I love a lot of the local things here, Florida strawberries and fish, I still yearn for products from the north. I love halibut, Nantucket Bay Scallops, oysters. There are no oysters in Florida and I'm not eating New Orleans oysters, I'm eating Island Creeks now. A lot of what I really like is northern. There is no substitution for it and before I was doing this I was buying, for the catering business, halibut or cod, because I like those fish. I also found out that a lot of people based in south Florida are transplanted from New York or New Jersey. Especially this coast of Florida. From Palm Beach to Miami and many of them also went to school in Boston. Did you concept first and then look for your chef? I had the concept first. I was looking at the fry shacks that were opening in New York, but wanted to modify that to fit with eating in a dining salon. I wanted to make the food a little more refined and dress it up. So here's how it worked with the chef. I put the word out that I'm looking for somebody. My chef and friend for many years was a guy, Matthew, who worked for Daniel Bouloud. Even though he was working he would often fly down to help us out. When you work for a guy like Daniel there is a fellowship, a brotherhood of cooks. Anyway, he recommends this guy, who worked for BLT in New York and before that The Russian Tea Room, so I arrange to meet him. He has this fantastic classical training, he's a New York guy, he has a New York story. When I met him and I knew where he worked in NY, I didn't care. This guy has to have good taste, a great technique and he has to have a great temperament in the kitchen. He might not know a thing about quahogs or Nantucket scallops or the concept I want, but the guy knows how to cook. I had the concept on paper and we started to go to town on it. We worked together and came up with great things. It just came naturally. Your concept, his menu? Totally my concept, he'll tell you that, but he executes. Now, we just talk and I might say I want to try this or do that. I had an idea for chowder, every time I've had it in my life it has been thick and gloppy. You couldn't tell a potato from a clam. I told him my idea, we were going to deconstruct it. We're going to serve a fricassee of clams, potatoes, bacon, celery and leeks, put that on a shell and pour the cream and the clam broth over it, so it's not this thick white pasty stuff. People are loving it. Real food lovers want to see their food and know where it comes from. Everything in Fratelli is from Italy. Here we focus on where we source the fish, some of it directly. Maine lobster is used in all lobster dishes. How would you classify the food you are serving here? Updated traditional. We're doing things like: hand cooked cod with cream and potatoes and striped bass with brown butter and capers. Even though we are doing traditional things we also offer have items like Lobster Thermador, and old retro recipe we updated, it was on our February menu. Retro dining updated. We look to the flavors of New England food. When you talk about comfort (food) one of the mistakes of the newest of the new, is that it (their menu) isn't comfortable. You don't really crave lobster. This coast (East Coast Florida) will embrace what you are doing at The Bath Club. We are focusing on the great quality of the ingredient. We are purposely using this New England aesthetic trying to filter it through a contemporary palate and contemporary aesthetic, so it's a balancing act. The idea is that it is recognizable, it's comfortable, but the way we are handling it, is throw the technique, it is modern and correct. When I say the word correct, finesse is involved. Have you had anyone come here expecting lobster roll in a potato hot dog roll? We do make a lobster roll, as an appetizer, in a homemade buttered grilled brioche style roll. We dress the lobster as it is ordered. It is a lobster roll, but it has a salad and a few handmade potato chips. We have lobster in eight different dishes: Salad with corn, a stew, a pot pie, burger, mac n cheese, so we are using lobster in a lot of things. We do fried clams, no one is doing fried clams here. It's something that people ask, 'Is it the really belly clam?' It's one of the best selling things we have on the menu. It's basic food but we're doing a nice job with it. We love the concept, that Jersey Shore experience: steamers, lobster rolls, fried clams. Doing seafood is expensive, so we've been forced to go in an add things like chicken pot pie, to match the lobster, and a regular burger to match the lobster burger. We want to be a neighborhood restaurant, not a special occasion restaurant. There is no visibility to the street, we only have valet parking. That's one of the draws of coming here. It's that Meat Packing District appeal. I want to be the anti-thesis of South Beach, which is geared for the very young. There are a lot of posers there, chic people, and people trying to be chic. We're trying to be the anti-glam. It's not about who's in the dining room, although we've had people like that eat here. It's not about 'what's popular this minute,' I want people to be comfortable here. |






eat antipasti, primi, secondi; they eat in a certain order and order in a certain order. The menu looks a certain way. It is not a bowl of pasta.
York and before that The Russian Tea Room, so I arrange to meet him.